caroline garcia primitive nostalgia

Aesthetically I’m drawing from This underlining humour is huge for me. It goes back to how you see yourself, how people see you, and your call into being. I feel conscious of not wanting to f*ck it up. The violence then comes through…I had looked at the traditional dress from ethnolinguistic groups through my travels in the Philippines and collected a few to be worn in my performance. It plays into an aesthetic of trauma.

Primitive Nostalgia (still), 2014, Digital Video, 5:29 mins SHOWCASE highlights the contemporary artists and curators we work with and whose work you will see in galleries and museums across NSW and beyond in the near future. The idea of surveillance feeds into my experience of learning and unlearning culture; and how public it can be. In the assemblage of these cinematic samples, which explicitly record portrayals of cultural dances performed by various ethnic troupes, a concern for the construction of cultural identity emerges. I find that the way that I take and assemble is quite intuitive, and is very much derived from Filipino aesthetic and taste, that I have been exposed to, even being first generation.I am the guest curator for MCA’s October Artbar, which is on Friday 27th October. Flygirl (S01E05 Live Recording) Plantation Dance . Dance has always been inherit in my body. For Dickens it has all been said and no-one is listening – so... Emma-Kate Wilson Then I placed myself on top of their bodies, with a glitchy aesthetic. I also have some installations currently showing at Blacktown Arts Centre for Subscribe to our email newsletter, to keep up to date on new jobs, industry updates, funding opportunities and more. "Because I'm in every single clip — sometimes you don't notice and sometimes you do." I didn’t even realise it would become such a feminist work until putting the footage together.

There is the lightheartedness in the playful music and text but the work is slow and meaningful – I’m always moving, but never arriving.I looked at the slow cinema of Lav Diaz, who uses one frame forever. I hadn’t been since I was six, so it was overwhelming seeing family and the landscape. Wahine (Hula Study) Primitive Nostalgia . Caroline Garcia is a culturally promiscuous, performance maker. Contact Centre for Contemporary Photography 404 George St, Fitzroy … Works by Caroline Garcia include: Videos » Back to available Videos page. I’ve used this technique for the visual effect, as it allows me to layer the image of myself onto whatever background I choose, and I find it to be quite an efficient process. My longing to be in a landscape that I have no idea about. It’s so full on addressing race and ethnicity; I don’t have the personality to really confront those things so humour and play makes them more accessible.The work is inspired by my experience of being Filipino. I want to contemporise this traditional male activity and make it feminine. Exhibitions > Caroline Garcia. In America there is such a complex history that has been discussed in contemporary dialogue. Performance art and video on the other hand, which I would say occupy my practice the most, were the outcome of experimenting between dance and photography, both of which I had studied and interrogated in academic institutions. We sit within the hegemony of authority and heteropatriarchy to be read under certain conditions. I think that this ability to sample and remix as a devising process is inherently Filipino, which is a reflection of the Philippines’ national identity, both historically and geographically. In the works, I let the political discourse come through whilst giving the audience the option to enjoy the aesthetics and the dancing. This is also reflected in the landscape being analogue but having this modern aspect of the drones, playing with tradition and my modern life in Australia.The discourse around cultural politics in America is so layered and complex, and tackling that – seeing how my art fits within that framework – has been challenging. I use glitchy aesthetics to disrupt the mode of the viewer, leaving some residue or ‘sticky-ness’ to moblise critique of the Hollywood movie. The male gaze bounces through each section, which is now sexualising my body as a woman of colour! Clifford How’s ‘Antipodean Light’ invites viewers on a solitary traverse across Tasmania’s north-western alpine wilds. I understand that this concept may come across as rather transgressive, especially within the discourse of cultural appropriation, however in this act of sampling I am in deep consideration of the power dynamics and relations between myself and the material sampled, and I continue to ask myself when making, whether this strategy is the best method to decolonise or to interrogate cultural politics.In addition, this idea of cultural promiscuity speaks to my cultural identity.

The audience thought I was about to perform a cultural dance, but instead I played Nintendo Wii. With hand and thread, Teelah George chisels open apertures between materiality and the immaterial. In the original Hollywood movies, the white women are playing women of colour and representing them as idealised sexual fantasies. The drones are also incredibly important. Belinda Fox’s art is arresting in its intricate layering of detail and colour. So my work aims to play with those conditions – to take ownership of the way the gaze is directed and making the audience aware of it.The male gaze comes through a lot in the work for ‘Primavera’, and I didn’t even realise until editing. By BACK > Primitive Nostalgia (video still), 2014 Primitive Nostalgia 2014 HD video, colour, sound 5:29 mins To view full video click here By

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