gates theory of intertextuality or revisionist

Gates' title alludes to the song "Signifyin' Monkey" by Signifyin(g) is closely related to double-talk and trickery of the type used by the Monkey of these narratives, but, as Gates himself admits, "It is difficult to arrive at a consensus of definitions of signifyin(g).

"Gates defines two main types of literary Signifyin(g): oppositional (or motivated) and cooperative (or unmotivated).

Oxford Research Encyclopedia of Literature What all theories and practices of intertextuality seem to share, however, is a need to reimagine the act of reading, given that reading can no longer be confined to the reader’s encounter with a single, stable, inviolable text. Bloom’s theory of revisionism presents, inter alia, a linear account of continuity and discontinuity in Western literary tradition.

1977 to 1990". No speaker creates their language from scratch; all linguistic utterances depend upon the employment and redeployment of already existent utterances.

Gates more thoroughly focuses on oppositional or motivated Signifyin(g) and how it "functions as a metaphor for formal revision, or intertextuality, within the Afro-American literary tradition". All Rights Reserved. (c) Oxford University Press USA, 2020. Personal use only; commercial use is strictly prohibited (for details see Taken together, intertextual theories and practices have demonstrated in a myriad of ways the need to move beyond themodel to models of reading which, by treating all texts as intertexts, confront the limits of interpretation itself.Access to the complete content on Oxford Research Encyclopedia of Literature requires a subscription or purchase. PRINTED FROM the OXFORD RESEARCH ENCYCLOPEDIA, LITERATURE (oxfordre.com/literature). For anyone presuming to engage in serious scholarly conversation about African American literature, Henry Louis Gates, Jr.’s The Signifying Monkey: A Theory of African-American Literary Criticism has become required reading, an essential intervention into both literary theory and the interpretive histories of African American texts. Intertextuality is a concept first outlined in the work of poststructuralist theorists Julia Kristeva and Roland Barthes and refers to the emergence of and understanding of any individual text out of the vast network of discourses and languages that make up culture. The Signifying Monkey: A Theory of African-American Literary Criticism is a work of literary criticism and theory by the American scholar Henry Louis Gates Jr. first published in 1988. A survey of literary theory and practice from the 1970s onward will show a host of critics and theorists employing the term to foreground formalist, political, psychoanalytical, feminist, postcolonial, postmodernist, and other modes of interpretation and commentary. INTRODUCTION Intertextuality as a term was first used in Julia Kristeva's "Word, Dialogue and Novel" Intertextuality is part, then, of a radical rethinking of human subjectivity and human expression, a rethinking that at its most extreme argues it is language rather than human intention that generates meaning.Having found expression in the radical texts of early poststructuralism, intertextuality became a popular concept within literary criticism, often reimagined in ways that appear far less skeptical about authorial intentionality. Authors reuse motifs from previous works but alter them and "signify" upon them so as to create their own meanings. "Course In General Linguistics", Gates, Henry Louis. Such a vision of textuality emerges from 20th-century developments in our understanding of what it means to use and to be in language. Personal use only; commercial use is strictly prohibited (for details see Intertextuality is a concept first outlined in the work of poststructuralist theorists Julia Kristeva and Roland Barthes and refers to the emergence of and understanding of any individual text out of the vast network of discourses and languages that make up culture.

1. "The Blackness of Blackness: A Critique on the Sign and the Signifying Monkey", Lubiano, Wahneema. "Henry Louis Gates, Jr. and African-American Literary Discourse", Mason, Theodore O. At times these approaches bring the concept much closer to ideas centered in the humanistic subject, such as influence, allusion, citation, and appropriation, while at other times they continue and extend the deconstruction of traditional models of intention. Intertextuality produces meaning.Knowledge does not exist in a vacuum, and neither does literature. Gates' theory of intertextuality, revisionism, and signifyin(g) are easy enough for non-Blacks to recognize, as shown by Nikki Giovanni's poem "Ego Tripping (there may be a reason why)" and its antecedent, Langston Hughes' poem "The Negro Speaks of Rivers". (c) Oxford University Press USA, 2020.

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