paul renner typography

The book ends with his post-war contributions to a debate between typographic modernisers and conservatives, in which he characteristically took the middle ground. Yet a weighted stroke emerged as it developed – because it was quite clear that the purely geometric form looked Sometimes the politics and typography are not so comfortably integrated.

This title is the first study in any language of Renner’s typographic career. German typographer Paul Renner is best known as the designer of the typeface Futura, which stands as a landmark of modern graphic design. One example can be his successful attempt at merging two fundamentally different typefaces together such as Roman typeface and Gothic.

His father was an evangelical theologian who is reason behind his strict Protestant upbringing. This title is the first study in any language of Renner’s typographic career. He helped lead German print out of the conservative Gothic or Blackletter tradition into the use of modern fonts such as his own best-selling Futura. It was commissioned as a typeface by the Bauer Type Foundry for the New Frankfurt project, which was an affordable modernist housing project. His life also parallels German cultural history in the twentieth century.Burke is very good at revealing the political, economic, and social forces which influenced the development of the new aesthetic movements of the period. In 1926, he accepted the position of the head at the Printing Trade School in Münich. Renner aspired to communicate his opinion of culture and tried to influence it through his writing, teaching and designing. 33-40; C. Burke, Paul Renner[.] He went into a period of internal exile after his arrest.

He was born in Wernigerode, and died in Hödingen. What was once part of national identity was suddenly denounced as a ‘Jewish abomination’ – when in fact the truth was that the Germans had occupied much of France, Netherlands, Belgium, Denmark, and Norway, and they needed to make their propaganda understandable to people in these countries.Burke sometimes seems to bury Renner’s theoretical and aesthetic work under lots of historical data. He began writing from 1908 onwards and prolifically produced work on design and typography. )Another wonderfully revealing instance is his discussion of the Nazis’ 1941 ban on the use of gothic script.
Goodreads helps you keep track of books you want to read. Clearly Paul Renner and Adrian Frutiger, the designers of Futura and Avenir respectively, recognised the need for old-style numerals in their fonts as both these typefaces were designed with them from the start.


1568981589 He was also a remarkable painter and teacher. B41-B51 Christopher Burke, ‘The authorship of Futura’, baseline 23, 1997, pp. Just a moment while we sign you in to your Goodreads account.

Gustav Stresow, ‘Paul Renner und die Konzeption der Futura’, Buchhandelsgeschichte, 1995 / 2, pp. 100 Years of Wisecracks, Insights, Retorts & Wisdom from Women in ComedyPrinceton Architectural Press is a world leader in art, architecture, and design publishing, founded in 1981. Paul Renner – born 9.8.1878 in Wernigerode, Germany, died 25.4.1956 in Hödingen, Germany – graphic artist, painter, type designer, author, teacher. After nine years of learning Greek and Latin, Renner opted to study arts at several different academies. He utilized his intellect and aesthetic skills to alter the fundamental landscape of material and spiritual form of life. As to communicate his view of high cultural standards, he invested his creative talent in applied arts designing books and typefaces.

Paul Renner (1878-1956) If one event persuaded him to switch careers from painting to design, it may have been his attendance in 1907 at a meeting in Munich of the newly formed Deutscher Werkbund, a coalition of artists, craftsmen, manufacturers, and industrialists who, influenced by the British Arts and Crafts Movement, promoted both art and technology in the manufacture of … After forty pages of letter forms, we’re suddenly jerked back into the political crises of the time – though it has to be said that part of Burke’s argument is to rescue Renner from the taint of Nazism which might be attached to any survivors of the period who stayed within Germany. Paul Renner was an eminent twentieth century German graphic designer, type designer and typographer. (Renner participated actively in this movement, developing alongside people such as Mies van der Rohe and Walter Gropius.

Paul Friedrich August Renner (9 August 1878 – 25 April 1956) was a German typeface designer. December 1st 1998

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